life liver extraordinaire. kind of a hotass mess...kind of amazing!
Catching Elephant is a theme by Andy Taylor
due to recent relocations and upcoming life changes, we have decided to put out a call for submissions for the next issue of hoax although we are still in the process of printing and distributing #7. the topic of hoax #8 will be feminisms and MYTHOLOGIES. we are eager for…
- Audre Lorde’s The Master’s Tools Will Never Dismantle the Master’s House
- Audre Lorde’s Uses of the Erotic: The Erotic as Power
- Aurora Levins Morales’s Radical Pleasure: Sex and the End of Victimhood
- bell hooks’ Cultural Criticism & Transformation
- Chandra Talpade Mohanty’s Under Western Eyes: Feminist Scholarship and Colonial Discourses
- Combahee River Collective Statement
- Dorothy Allison’s A Question of Class
- Judith Butler documentary
- Leslie Feinberg’s We Are All Works in Progress
- Paula Gunn Allen’s Who is Your Mother?: Red Roots of White Feminism
- R.W. Connell’s The Social Organization of Masculinity
- Sandra Lee Bartky’s Foucault, Femininity, and the Modernization of Patriarchal Power
- Sandra Cisneros’s Guadalupe the Sex Goddess
- Sojourner Truth’s Ain’t I a Woman?
- Susan Bordo’s The Body and the Reproduction of Femininity
(Source: aloofshahbanou)
Matt Lauer: Seen a lot of you lately.
Anne Hathaway: [laughs uncomfortably] Sorry about that. I’d be happy to stay home, but, uh, the film.
Matt Lauer: ...What’s the lesson learned from [the photos of you circulating sans underwear coming out of the car at the Les Miserables New York premiere]? Other than that you keep smiling, which you always do?
Anne Hathaway: Well, it was obviously an unfortunate incident. Um, I think— It kinda made me sad on two accounts. One was that I was very sad that we live in an age when someone takes a picture of another person in a vulnerable moment and, rather than delete it, and do the decent thing, sells it. And I’m sorry that we live in a culture that commodifies sexuality of unwilling participants, which brings us back to Les Mis, because that’s what my character is—she is someone who is forced to sell sex to benefit her child, because she has nothing and there’s no social safety net. And I— Yeah, so, um, so let’s get back to Les Mis.
Totally forgot to post this last night. I took a road trip with Ryan to Cornell to see Sandra Fluke speak. We drove 5hrs each way to stay for 2hrs. We are a special breed.
always
(Source: phsycominded)
You might be a feminist if you have no issue with public breast feeding.
Oh hello!
(Source: youmightbeafeministif)
(Source: anarchyagogo)
(Source: drogal)
These underwear. I desire them. For reasons. *paws at screen* I can feel pretty AND right at the same time.
yessssssss
i can already smell the hatemail and slanderous re-blogs, but what-ev-er. haters gonna hate, fatties gonna fat!
one of the best ways for me to practice radical self-love is to draw pictures of my fine fat ass. seriously! i’ve read a lot about/seen a lot of folks who do photographic self-portraiture to the same ends, and i think that rules. for me, it’s gotta be drawing, because i’m happiest with a pen in hand.
(by the way, the banner quote is from an amazing parks and rec gif. yeah, i quoted a gif.)
this is so great. ❤
what could be better than feminism AND parks and rec?!?!? NOTHING!
I’m working on a paper for government and politics american institutions blah blah credit. Emma Goldman is one of the coolest people to read about in American history during the time of Emerging modern America…. like around WW1….I think…. history isn’t so much my thing as the rhetoric of politics.
The most absurd apology for authority and law is that they serve to diminish crime. Aside from the fact that the State is itself the greatest criminal, breaking every written and natural law, stealing in the form of taxes, killing in the form of war and capital punishment, it has come to an absolute standstill in coping with crime. It has failed utterly to destroy or even minimize the horrible scourge of its own creation.
(Emma Goldman (1869-1940), U.S. anarchist and author; born in Russia. Anarchism and Other Essays, 3rd rev. ed., ch. 1 (1917).)
(Source: whatever-saidthetree)